Imperialism, Narrative & Setting in Anime: Then & Now

Presented by Bianca, Courtney, Tamara and Chris.


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Campbell, E 2016, ‘US Occupation Of Japan After WWII | American Empire’, American Empire, viewed 12 October 2020, <>.

Ellis, C, Adams, T & Bochner, A 2010, ‘Autoethnography: An Overview’, Forum Qualitative Sozialforschung / Forum: Qualitative Social Research, vol. 12, no. 1, Art. 10.

Gielen, M, 1988 ‘Perceptie en ondertitels: De parafoveale en perifere informatieverwerking van ondertitels [Perception and subtitles: Parafoveal and peripheral processing of subtitles]’, Unpublished thesis, University of Leuven, Leuven.

González, LP 2007, ‘Fansubbing anime: insights into the ‘butterfly effect’ of globalisation on audiovisual translation’, Perspectives, vol. 14, no. 4, pp. 260-2.

Koolstra, CM, Peeters, AL, & Spinhof, H 2002, ‘The pros and cons of dubbing and subtitling’, European Journal of Communication, vol. 17, no. 3, pp. 325-354. 

Nelmes, L (ed.) 2012, Introduction to Film Studies, 5th edn, Routledge, Oxford.

Runyon, 2013, ‘The Studio Ghibli Retrospective: ‘Grave of the Fireflies’’, Movie Mezzanine, viewed 26 October 2020, <>.

Sabri, T 2020, ‘The idea about Imperialism in Japanese animation film’ SEARCH Journal of Media and Communication Research, vol. 11, no. 3, pp. 55-69. 

Tong, R 2009, Feminist Thought: A More Comprehensive Introduction, 3rd edn, Westview Press, Colorado. US Naval Institute Staff, 2014, ‘Through Japanese Eyes: World War II In Japanese Cinema’,USNI News, viewed 10 October 2020, <>.

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